Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts

Sunday, 17 April 2011

THE BEST MIXTAPE IN THE GALAXY volume 3 - Float On




READ THIS FIRST if you haven't already:
http://thepipermachine.blogspot.com/2011/04/best-mixtape-in-galaxy-volume-1-turn.html

http://thepipermachine.blogspot.com/2011/04/best-mixtape-in-galaxy-volume-2-girls.html


Download this here

1. Black Diamond Express to Hell pt1 - Rev A W Nix
2. Journey In Satchidananda - Alice Coltrane
3. Aztec - Bo Diddley
4. Kizmiaz - The Cramps
5. Senor Blues - Bill Henderson & The Horace Silver Quintet
6. Scarborough Fair - Sergio Mendes & Brazil '66
7. Passing Through - Rare Bird
8. When I Get Home - Edna Gallmon Cooke
9. Caravan - The Mills Brothers
10. Violet Sky - Yuzo Kayama
11. Spanish Caravan - The Doors
12. I'm Going To Spain - Steve Bent
13. The City Never Sleeps At Night - Nancy Sinatra
14. The Travelling Tragition - Tyrannosaurus Rex
15. House Of The Rising Sun - Miriam Makeba
16. California Earthquake - Cass Elliot
17. Travellin' In Style - Free
18. Get Thy Bearings - Donovan
19. Travelin' Light - J.J. Cale
20. We Travel The Spaceways - Sun Ra
21. People From Out The Space - Embryo
22. Tumbling Tumbleweeds - Michael Nesmith & The First National Band
23. Night Flight To Puerto Rico - Ray Rivera
24. Caravan - Duke Ellington & His Orchestra
25. I'm Standing On The Highway - The Pilgrim Travellers
26. State Trooper (Trentemoller mix) - Bruce Springsteen
27. Girl From The North Country - Bob Dylan & Johnny Cash
28. Float On - The Floaters
29. Stop The Sun Stop The Moon (My Man's Gone) - The Boswell Sisters
30. Wand'rin Star - Lee Marvin
31. Travelin' Blues - Slim Gaillard

Saturday, 9 April 2011

THE BEST MIXTAPE IN THE GALAXY volume 2 - Girls and Boys



Click here for Part 1 - An introduction to the incredible Galaxy of Music, the massive task lying ahead of our hero, and all the legendary musicians he gets to meet.

PART 2 - Music for love scenes, of all sorts. Soft, beautiful, romantic; dirty, chilling, confusing. The first, perhaps most important part of his education in life. But is she a ruthless agent of POP?

It's so big... I had to split in two so as not to overwhelm you. It starts with the best song about masturbation ever. Also the erstwhile leader of The Nation Of Islam's confuso-calypso, and lots and lots of heavy breathing.


ULTIMATE MIXTAPE GALAXY INCIDENTAL MUSIC VOL 2 - "I Love Dig":

1. With Me In Mind - Cody Chesnutt
2. You Look Great When I'm Fucked Up - The Brian Jonestown Massacre
3. Le Premier Bonheur Du Jour - Francoise Hardy
4. Handsome Man - Barbara Pittman & Gene Lowery
5. Hares On The Mountain - Shirley Collins & Davy Graham
6. Are You A Boy Or Are You A Girl - The Barbarians
7. Is She Is, Or Is She Ain't? - Louis Farrakhan
8. Women Women Women - Shelley Lee Alley & His Alley Cats
9. Femme Fatale - Big Star
10. Putain Que Ma Joie Demeure - Serge Gainsbourg
11. The Oogum Boogum Song - Brenton Wood
12. Psychedelic Woman - Honny & The Bees Band
13. I Dig Love - Asha Puthli
14. Slow Tongue - Millie Jackson
15. Make It Fast, Make It Slow - Di Rob
16. Organ Grinder Blues - Clarence Williams
17. Two Girls In Love (With Each Other) - Snatch And The Poontangs
18. I Love To Love You - Johnny Guitar Watson
19. When You Touch Me - Reigning Sound
20. Suey - Jayne Mansfield
21. Little Girl - John & Jackie
22. If You Pick Her Too Hard (She Comes Out Of Tune) - Little Richard
23. Go Home Little Girl - Ola Belle Reed


ULTIMATE MIXTAPE GALAXY INCIDENTAL MUSIC VOL. 2A - "Oh God, I Love That Girl, And I want To Fuck Her As Quick As I Can"

1. California Girls [vocal track] - Beach Boys
2. Just To Walk That Little Girl Home - Mink DeVille
3. When A Man Loves A Woman - The Elgins
4. Going In Circles - The Natural Four
5. Can't Seem To Make You Mine - The Seeds
6. I'd Give My Life For You - Willie Dixon
7. Ruler Of My Heart - Irma Thomas
8. Oh! Caroline - Matching Mole
9. If You Want My Love - The Nightcrawlers
10. Don't Bring Me Down - The Animals
11. Speaking Of Happiness - Gloria Lynne
12. Vanity - Don Cherry
13. Oh, My Love - Yoshida Brothers
14. She Loves You (telephone) - Peter Sellers
15. I'd Rather Go Blind - Etta James
16. Just Waitin' - Luke The Drifter
17. Spooky - Lydia Lunch
18. Bring Me Up - Ash Ra Tempel
19. High On Love - The Knickerbockers
20. Mes Rêves de Satin - Patricia
21. Ladies And Gentlemen We Are Floating In Space (I Can't Help Falling in Love) - Spiritualized
22. Daddy's Baby - Cody Chesnutt


PHEW! ENJOY IT WITH LOTS OF SUNSHINE

Saturday, 2 April 2011

THE BEST MIXTAPE IN THE GALAXY volume 1 - "Turn Off Your Mind, Relax, And Float Downstream. It is not Dying..."



Well, not exactly. In fact, it's the first in a series of collections of incidental music for an incredible TV show I've been developing:

ULTIMATE MIXTAPE GALAXY!

An epic odyssey through an alternative galaxy of music - a life-changing quest for love, freedom, and the BEST MIXTAPE EVER!

In which our young hero is mysteriously transported from 1994 (a time of mixtapes and MTV) to a galaxy where every planet is home to a different genre of music, where the harmony of the spheres is a tangible source of energy coursing through everything, and the basis of all life. And, in order to get home, and win the heart of the girl he loves (who constantly scorns him for not being 'cool enough') with an awesome mixtape, he must travel from planet to planet, recording the most incredible gigs of all time - from Mozart to Miles Davis to Michael Jackson, The Animals to The Zombies, Frankie Valli to Fela Kuti, Serge Gainsbourg to Sex Pistols, etc etc etc. He gains the most incredible education in music - but also in life and love - and becomes a legendary hero in the underground resistance against the evil totalitarian POP federation, who have taken over the entire galaxy... he meets slaves singing in the fields, monks chanting in mountain-top shangri-las, punks spitting, hep-cats swinging, Germans pretending to be robots, all manner of pirates and outlaws and merchants... and finally, in an asteroid field on the outer reaches of the galaxy, manages to track down the mysterious Samplers, who have the ability to suddenly appear out of nowhere, steal music, and disappear just as suddenly...

It's a big, ambitious project, which I think would make incredible television. The idea's not quite (but at the same time is not too far off) ready to be pitched properly. If you think you might be able to help/would like to get involved please let me know. SPECIFICALLY I'd love artists and illustrators to imagine scenes from the show (I think ideally it would use the rotoscope technique, especially to bring the gigs to vivid life... somewhere between Waking Life and Sin City and Yellow Submarine). Get me at: woowoowagon at gmail 

ANYWAY, this is the first in a long series of mixtapes that are not the main concerts he goes to, but are built for wistfully watching the stars through the spaceship window and thinking of the girl back home, at the end of an episode, montages, chase scenes, etc etc etc. A bit spacey, though only occasionally overtly, but all very very floaty and psychedelic... It's a paean to stoned sunshine.

ULTIMATE MIXTAPE GALAXY INCIDENTAL MUSIC VOL 1: "Turn Off Your Mind, Relax, And Float Downstream. It is not Dying..."

1. Tomorrow Never Knows - Little Junior Parker
2. Petite Musique De Clown Triste - Erik Satie
3. Aht Uh Mi Head - Shuggie Otis
4. Maruzzella - Renato Carosone
5. Le Brin D'Herbe - Brigitte Fontaine & Areski Belkacem
6. The Bublight - Joe Meek & The Blue Men
7. Mother Earth - Memphis Slim
8. Siboney - Xavier Cugat
9. How High The Moon - Slim Gaillard
10. Four Women on One Man - Nina Simone
11. Okwukwe Na Nchekwube - Celestine Ukwu & His Philosophers National
12. Flash Forward - Serge Gainsbourg
13. Tropical Hot Dog Night - Captain Beefheart
14. J'Aime Les Filles - Jacques Dutronc
15. 2069 A Spaced Oddity - Us69
16. Alcohol Love - Billy Walker
17. Moogies Bloogies - Anthony Newley & Delia Derbyshire
18. Caravan - Takeshi Terauchi
19. Sharks - Ivor Cutler
20. Hey There Little Insect - Jonathan Richman & The Modern Lovers
21. As Far As I Can Remember (Memories) - The Pasteur Lappe



Saturday, 4 December 2010

NEW SHANGRI-LA

THE ENGLISH TEXT OF MY STORY PUBLISHED IN La Revue Littéraire novembre-décembre 2010 n°50 TRANSLATED/INTERPRETED BY NATASHKA MOREAU



...So he rolled around as if drunk, his obscene cod-opera fantasies lurching about uncontrollably inside him.

He imagined a deeply serious, dramatic episode, encompassing the whole city, at that especially silent hour of four in the morning. Even the imaginary ghosts were asleep; he was the only witness to a beautiful choreography of the statues, gargoyles, carvings and architectural flourishes, as they let the cold night air bring life to their decayed marble and bronze bodies. He felt the wind from gilded wings on his face, and the floor shook with the stamp of mighty stone hooves. He watched alone from behind a column, unseen, as this army rumbled quite soundlessly through the shadows. He felt as if he was being turned to stone, while all the stones of the city were sucking and sharing his human warmth.

He was paralysed by the sudden physicality of this vision. They had smells, just not of this reality - the terrible hell-horses and their half-animal stench mingled with the alluring yet wholly unnatural perfume of the goddesses, and the dreadful pheromones of the grim-faced warriors. But he experienced it several times, and though its power never abated, he grew used to the surprise, until he could muster enough confidence and poise to summon the girl.

The grand waltz of the sculptural awakening, and its climactic symphonic soundtrack, became coupled to the simplest rhythm of all: the in-out, in-out of sex. He thrust roughly, in time with the dance, and his fear and excitement became the girl's, her face eventually materialising wide-eyed, pale with terror, and flushed from the exertion of a hard fucking. Angels and grotesques swooped through the cold fog around their heads, comely maidens teased him, generals bellowed orders and exhortations at him, and judges judged him. He was torn between the terror of being watched by them all, and the desire to share - but share them with the girl, or vice versa?

(and then, of course, he would come, and collapse, and when he finally had the energy to look up once more, everything was gone, and he knew he would have to find the girl again tomorrow...)

Or he would wander for hours in the hazy afternoon sun, whistling down the empty streets, absent-mindedly stroking his dick, as he repeated to himself over and over: “You don't understand - I'm so happy! I'm so happy and I can't bear not to share it... Listen. If you refuse to share, I'm just going to have to spread happiness all over the end of my cock, and ram it up you so hard you'll have no choice but to smile...”


-----



He couldn't remember how long it had been since he arrived in the city - a year? more? just a few months? - but he was still aware, vaguely, of why he was there, of a lingering idea of punishment and exile. It had long since ceased to matter: it was clear from the very start he would die there.

It was long long abandoned and overgrown. It had been under the drawn-out control of nature for at least as long as it had previously been subject to humanity's manic change - and yet, every day, he felt it was something new, that the exploration would never stop, that he would just continue to walk there. There seemed no end to it.

Memories of his previous life were distant and sketched by outline only. He had been submerged in a world so physically alien to him that he drowned. Overwhelmed by the visual intensity of sunshine and shade on a field bursting with strange information, and by the soft constant touch of the eroded stone walls, he inevitably started to go insane.

The first, rather shocking acclimatisation - to the strange relation of day and night, the temperature, the unsettling proportions of the buildings and streets - ended. He had a dim sense, perhaps, that he had peeled back the first of the city's layers, and there began his slow descent into the imagined ghost life, or lives, that inhabited these squares and streets.

At first, he was struck by a few buildings - the palaces, grand hotels, opera houses, cathedrals, train stations, government offices, jails, museums and the like - and how different they seemed from the rest. He sensed a sinister power, distinct, heavy, and commanding, in these special places, dragging everything in their vicinity towards them.

This; the contrasting nature of the places of residence, and of work; the weeks and months; and his compulsive explorations further afield - slowly, he gathered fuel for his imagination. The faint spectres of the former inhabitants grew immeasurably more solid, and he began to remember the word 'alone.' His passing reflection in puddles, windows, etc., took on an odd significance. He slowly, vaguely, repopulated the city with those who must have lived here, built this city, invested it and all its details with meanings utterly beyond his comprehension.

He became aware of a magical kind of image in the city; he compared it to his own reflection, and found it vastly superior. He had no way of knowing it was just marketing. A vast pantheon remained in place, faded by sun and rain, obscured or eaten by vegetation and mould, on walls or its own structures, or in block-like magazines with long-fused pages, of bizarre choices and fantastic promises. They were all gods, gods of cars, gods of sex, gods of washing up liquids and summer meadows. These were the people who lived here. Everyone who ever lived here was a god.

A thousand murky shots of beautiful girls captivated him. He lingered longest on the streets with the most shops on them. Then, he found massive galleries of paintings, and was all the more fascinated by the faces somehow created so artificially, faces with another human hand in them - and the girls of such different sensuality to those in the photographs he saw outside.

He had no idea that the disparity, of costume, hair, surrounding, and mood, was as a result of a few hundred years' span between ages. In his way, he imagined that all the millions of lives there had happened contemporaneously. Therefore, the painted girls, obviously special, must have been gods of a higher order.


-----



It was around then that he also began to masturbate. The two tendencies might have appeared, at that point, to have emanated from completely different parts of his consciousness, but their convergence was swift and violent.

He found a cracked, weed-ridden stone needle by the river at the confluence of several grand avenues, and he identified it with himself and his penis. The distant towers that circled the city were obviously larger, but something there had more power. He masturbated only against the foot of the needle for a while, but more and more the urge would take him wherever he happened to be, and he began to enjoy the experience of wanking in different environments.

And so, the landscape of the city became sexualised for him. He did not miss the most overt symbols, the large domes, grand arches, and dark passageways, but, more insidiously, he grew to appreciate the subtle eroticism of a crossroads, banal residential courtyard, or sloped roof.

At some point, after weeks of infuriatingly mysterious footsteps round corners, and just-vanished absences, she finally manifested.

One day, walking and wanking in a park, plunged even further into his heady sensual haze by thehot sun and lush vegetation, a sudden sharp vision crept up on him: a couple of park bench lesbians, young, pretty, and, despite being surrounded by hundreds of other ghosts, very much alone in their embrace. Most disturbingly though: they broke from their embrace, and stared at him. He stopped in his tracks, and his erection went limp at the shock, the specificity of the picture, as if these two particular ghosts out of all the millions had suddenly threatened to become very real; he had penetrated the city for the first time, and she was aware of him, ready to commune.

The stillness fell away, and he rushed to the nearest shop. Calmly, for the first fateful time, he wanked to conjure her image - the one true inhabitant of this city, the meaning of this city, the kaleidoscopic girl who turned his life into its very own Zeno's paradox.

It was almost certainly then that he passed the point of no return, when his gentle, dreamy slide into insanity could no longer be reversed. From now on he would just bask in his warm and happy pool of delirium for ever...


-----



But at some point after, a horrifying contradiction came to face him - he met one of his fellow exiles. There were, in fact, probably close to a thousand outcasts there, but the original geography of the city meant nothing to them. The centre provided less food than the wilder suburbs. He did recall a distant awareness, from the passing of the sentence, that he would not be the only one in this situation, so perhaps it should not have been such a surprise that he would cross paths with another entirely real human - nonetheless, it gave him the fright of his life.

Confronted by this ridiculous, ugly, dirty, scurrying little thing that threatened his idyll so much with its real smells and sniffles, and similarity to himself - one response was easiest.

He redoubled his masturbatory offerings everywhere, taking delight in coupling with his prison, giving himself up to it one sticky spurt at a time. He found a high point with a panoramic view and blissfully sprayed his seed onto the wind; he would spatter the walls of tunnels, or down drains, or in letterboxes.

He fucked the girl and the city, violently or tenderly, in alleyways, at windows, in the middle of the road, against trees, on broken glass, in ponds, amidst fantasies brewed from all the images and snippets of confused information he had intepreted there. He raped her, and she tied him up to the needle and raped him. He would spend his days fucking her, just him, for she had reformed her whorish ways, the constant orgies of millions - he foolishly thought he had changed her, perhaps even owned her slightly. He would fuck her in every building, every street, square, garden of the city, and he would spend eternity wandering and masturbating inside her.

He tore at his penis furiously, he covered the city copiously, he conjured her image more vividly than ever before - but he could not erase the knowledge he was not alone. Fear planted a root in this crack, and the more he worried at it, the more it widened.


-----



So, eventually, he could not help being drawn back to this creature. Some residual instinct connected her to his image of the city. Did he have dim notions of saving her, of being the agent of her exultation, from disgusting human rat to something like a god, like the city? Was one a representation of the other?

She had her own isolated madness, and they could barely communicate. Where he was a wanker, she was a singer; instead of his marketing porn dotted around the city, she had records. The city had given him the girls on the bench; it gave her a record player.

In her den, she tried to play him some music, as a sort of nervous disorientated foreplay. It was a disaster. Since his arrival, he had not heard a sound other than his or nature's, and he was already extremely nervous and confused. This artificial primitive screech terrified him, caused an intense dizziness. He fled in tears, and ran to the city's highest still-standing tower, and then ran to the viewing platform at the top, and masturbated, sobbing, lying on his back, watched curiously by a sole pigeon.

Convulsing with guilt, he remonstrated with himself for the merest possibility of betraying his citygirl, and manically pleaded with her, offering his flaccid, scabbed penis to the crumbling balustrades. He knew, though, that she would always be one step ahead of him in Love. He knew, now, he would never be good enough to satisfy the city sexually, she would always be there to welcome others like him, had been doing it since her birth. His sexual equal was the horrible music-screech woman, but he was in love with a massive, intricate, endlessly confusing and hidden city, which was a girl. A chimaera! Her terrifying true nature was revealed to him, and though he could not believe himself in love with such a monster, he knew he had no say in the matter.

In the deepest thrust he could possibly hope to inflict, he flung himself from this, the tip of the biggest penis to thwart his desires with his female city. On the ground, practically every bone broken, crumpled in a spreading pool of deep red, he managed one last wank, and gave all his life to his unrequited love.

Wednesday, 10 November 2010

THE DAY OF THE COMING OF THE HERALDS OF THE KING OF WHATWITHWHY

Merrily merrily on they sprang, gaily blithe to all reality's little niggles - for that's all they were really, against nature and the happy things in life, nothing more than little niggles - farting and feasting and fucking their way from great hall to great hall, leaving a trail of rose petals and smiling perversion, and not leaving a single encounter out of their meticulous video diary, which, daily uploaded, was the most popular television show by a long way in this particular parallel universe. The newspapers in the morning were full of gossip about which knight triumphed in the tilt, and the massive 'roast' he hosted after, people in taverns cheered as they saw a slow-motion replay of a dick-shrinking enchantment ministered by the old hag, and peasants downloaded as their ringtone popular minstrels' refrains, or the dashing and cruel young Sir. Thos. Mountfort delivering yet another winning roundelay to a fair maiden, so effective at filling her bosom with the hope of love that she willingly invites him to lay immediate and wasteful siege to her inner keep...